Booking & Programming
Brand-aligned programming, direct artist relationships, booking governance, agency management, and deal negotiation.
Entertainment and Media Executive, more than 25 years in the business, 17 years in the Las Vegas market.
Brand-aligned programming, direct artist relationships, booking governance, agency management, and deal negotiation.
P&L ownership, pre- and post-formas, ticket economics, theoretical gaming value, property uplift, and executive decision support.
Venue portfolios, front- and back-of-house operations, production leadership, broadcasts, temporary environments, and resort-wide activations.
01 · Experience
2011–2020
The Cosmopolitan of Las Vegas
Executive leadership spanning booking, programming, finance, production, venue operations, and property-wide activations.
Joined The Cosmopolitan as part of its opening team and remained with the organization for nearly a decade. Formally reported to the Vice President of Entertainment, with regular direct engagement with the Chief Marketing Officer, Chief Operating Officer, and Chief Executive Officer on entertainment strategy, major bookings, financial decisions, venue utilization, operating priorities, and resort-wide initiatives.
Held P&L ownership and managed more than $40 million in annual operating and entertainment budget. Partnered across casino marketing, hotel, food and beverage, finance, legal, security, facilities, ticketing, sponsorship, premium services, and executive leadership.
Hybrid model: an external agent managed most direct booking. Additional artists were secured directly by myself or the Vice President of Entertainment.
Booked all talent, performers, and entertainment activations for five years, including settlements, contract negotiation, auditions, and talent selection.
Evaluated success through integrated pre- and post-formas spanning guarantees, production cost, ticketing, gaming, rooms, F&B, VIP engagement, sponsorship, media, and brand impact.
Foo Fighters · The Killers · Imagine Dragons · Dozens more
The venue portfolio
Financial evaluation
The department was not managed as a standalone for-profit venue. Entertainment functioned as a resort amenity and a driver of broader property value. I managed programs that produced positive post-forma results against their full financial and strategic objectives.
02 · Selected work
Examples spanning venue transformation, broadcast production, demand-period programming, cultural events, and live music.

Seasonal destination · Venue reinvention

Live broadcast · Sporting events

Demand-period programming · March Madness

Cultural programming · Media reach

Artist experience · Venue delivery
Additional property-wide programs
Artist routing · Cultural calendar
Developed and executed a short-run music concept around Coachella weekend, using artist routing, audience movement, and regional attention to create programming that complemented the larger festival moment while increasing venue utilization and property relevance.
Demand-period strategy · Property activation
Led country-focused entertainment and activations aligned with National Finals Rodeo weekends while preserving The Cosmopolitan’s distinct brand and guest expectations.
Hospitality integration · Lifestyle programming
Developed programming from individual chef-driven events to larger festivals, bringing culinary talent, entertainment, sponsorship, production, marketing, guest services, and resort operations into one cohesive experience.
Major demand periods · Live operations
Oversaw March Madness, Super Bowl, championship, boxing-weekend, and other major national sports programming across flexible resort environments.
Broadcast complexity · Resort coordination
Provided production and operational leadership for Friday Night Fights, UFC events and activations, and HBO Boxing—ensuring the broadcast, athletes, promoter, live audience, and resort could function successfully within one event environment.
03 · Experience directory
View the full artist roster and public-facing event experience from The Cosmopolitan.
04 · Current company
2020–Present
Chief Executive Officer & Chief Operating Officer
I lead an entertainment, media, and brand-consulting company serving luxury hospitality, global sport, technology, media, and consumer brands.
At its peak, the company employed eight full-time employees, with five direct reports. As CEO, I hold final authority over strategy, clients, financial commitments, contracts, staffing, capital, creative direction, production standards, vendors, and operations.
Representative clients
I own and operate Monster Sound and Picture and provide direct creative leadership across the organization.
As CEO, I hold final decision authority over:
The company scales through specialized freelance personnel, production crews, technical vendors, artists, and external partners according to each engagement.
Retained for approximately two years as a third-party advisor during the resort’s development. Guided programming and operating best practices for BleauLive Theater and ancillary spaces, spanning touring-show functionality, front- and back-of-house workflows, loading, artist movement, staffing, guest flow, security, and resort integration. The theater was developed to accommodate arena-level acts operationally and technically.
Led Monster Sound and Picture’s work as media consultant, creative director, producer, and copywriter across brand commercials, premium social campaigns, and broadcast messaging. Also advised MGM Resorts’ live gaming studio on technical and operational best practices.
Directly negotiated and secured Imagine Dragons for Intel and booked and produced Foo Fighters for a Fortune 200 company at the former Hard Rock Hotel property in Las Vegas. Responsibilities extended from artist and representative engagement through commercial terms, client alignment, contracting coordination, production planning, and live delivery.
Consultant to the National Hockey League (NHL) for brand-aligned entertainment and live-event production in Las Vegas, including bookings featuring Steve Aoki and T-Pain. I currently provide consulting support for Formula 1-related initiatives; specific engagement details remain confidential.
Monster Sound and Picture
Monster Sound and Picture owns and operates podcast studios that support corporate, hospitality, professional-services, and media clients. At an executive level, I oversee scripting, content development, storytelling, production strategy, and client delivery.